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Horse Pictures - Legs

Antique pictures of horses

Taken from:

The Beauties and Defects in the Figure of the Horse

Delineated in a Series of Coloured Plates

by H. Alken

Published in London by S. and J. Fuller at the Temple of Fancy, 34 Rathbone Place - 1816

Notes accompanying this plate

The Four first Figures are intended to shew the back of the off fore legs.

Figure 1 - Is firmly standing on the ground, slightly turned out, which, as I have before observed, is better than turned in, but it is the general way that it should stand perfectly straight in a back view.

Figure 2 - Is the contrary of Figure 1, being much turned and bent at the knee. This is a bad leg without one thing to recommend it.

Figure 3 - Is very different to Figure 2, but equally bad; the hoof being turned much out, and calf-knee'd

Figure 4 - Is a leg square and firmly set on the ground, and likely to stand work.

Figure 5 - Is the best of two evils standing near together at the hocks. The legs should stand like Figure 6, and both exactly alike; but when that is not to be obtained, the form of Figure 5 is to be preferred. Some people are fond of the form of Figure 7, but it can never last; and must produce an unpleasant action, both to the sight and feeling.

The picture above is an illustrated plate from the 1816 publication, the inside title page of which is reproduced here along with the introduction to the book

First page of the book"By a detailed series of graphic and descriptive illustrations, it is the intention of the Author of this Work to show the good and bad points in that most useful and noble animal the Horse. He has adopted the mode of detaching various parts of the subject, because, by comparison of the distinct appearances, the general impression upon the memory of the reader is much likely to be much stronger than could result from the study of any treatise of a less abstracted nature; to understand which, a knowledge of anatomy, or a constant reference to some scientific work is indispensable.

This Publication is also intended as a Book of Lessons for such young Artists as are inclined to pursue the study of the Horse in all the different points of his figure and action.

There is no animal whose countenance combines such correct and powerful expressions of character. The physiognomy of the Horse, therefore, illustrating the different passions to which he is subject, as well as the natural bias of his temper and disposition, is an important branch of study to gentleman of the turf, and to young purchasers; for it is generally considered, that to timid riders and drivers, the temper of the beast is of more consequence than any bodily blemish.

In this point of view, therefore, the Author flatters himself that his Work will be found useful; and as his remarks are the result of the most attentive observation during many years, entirely devoted to the pleasures of the field, he trusts that the general principles which he has laid down, as well with respect to power, strength, and the various points of action as to the physiognomical character and figure of the horse, will be found fairly elucidated in the following series."

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